Recent Series

In Critical Stages in Malawian Contemporary Theatre, Fumbani Innot Phiri Jr. interviews established theatre artists from all backgrounds to explore the precarious journey of theatre in a modern world, define its problems, and find better solutions to sustain performing arts in a generation of motion pictures. Fumbani leads discussions with established performers, directors, and writers who are exploring ways to greet these challenges while their works inspires their communities.

A dazzling performance art scene is being born in Hungary, which, though quite small, boasts artists from all walks of life. Puha means “soft” in Hungarian, and PUHA stands for Performative Unity in the Hungarian Arts. It is an ambitious project by theatremaker and performer Zsófia Kozma and choreographer-performer Bíborka Béres that brings makers and creators of the Hungarian performance art scene together for discussions. From dancer to set designer, jazz musician to game designer, we talk with all sorts of people about thoughts, approaches, challenges, and ideas in their work. They sit down to explore topics like climate change, gender, queerness, improvisation, and public space in order to replace division and competition by fostering unity and dialogue in the field.

The intimacy industry is under pressure. While many creatives and artistic leaders see the benefits of intimacy direction and coordination as specific care and technical support for actors, the industry itself has not yet created an equitable and inclusive training process for marginalized people. In this series, Ann James, founder of Intimacy Coordinators of Color (ICOC), interviews eight queer and global majority intimacy specialists about the joys and challenges they face in the industry. What emerges from this series of interviews is a complex, multifaceted range of approaches, training models, and innovations for the future of intimacy that actively decenter whiteness, colonization, and appropriation.

There is a long history of performance entwining with environmental activism in Brazil. This series builds upon the HowlRound series and convening, Theatre in the Age of Climate Change, to highlight some of these Brazillan performances, research, and training initiatives. These works of eco-performance and ecopoetic theatre model creative paths forward for the reparative processes necessary to face climate change.