Playwright Cherry Lou Sy discusses Vineyard Theatre’s production of Indecent, reflecting on the culture of fear and the queer artists who have influenced her.
Beatriz Afonso Santos describes her process of exploring theatre and theatremaking techniques that involve all the senses. Read it in English and in Spanish!
In this cultural moment of divisiveness, how is one of the true stories of abortion theatricalized? Holly Derr considers Oregon Shakespeare Festival’s co-production of Roe by Lisa Loomer.
Theatre artist and teacher Oscar Franco shares his experience normalizing theatregoing as a viable recreational activity for families of color in Texas.
In this installment, Daniel Fine discusses working with lighting designers, explaining how color temperature and palette, and brightness of projections impact the media design for a production.
Tracey Houston and Rob Langford, founders of Montréal company Waterworks, describe their experience working on the play Aftermath by Andrea Dworkin. Immediately following is a reflection by Helena Levitt who performed in Aftermath.
