Lighting designer Lucrecia Briceno writes about the joys and challenges of designing for non-traditional theatre pieces that are in direct dialogue with audience members.
Ian Chandler explains the appeal of a new popular art form called cardistry, and what the theatre world could gain from embracing some of its methodology.
In the first of a seven-part series of posts about Latina/o theatre in Texas, Trevor Boffone summarizes the current conversation, and outlines the questions the series will address.
