Recent Essays

Polly Edelstein reflects on her choice to leave a full-time administrative position in order to be a freelance theatre artist, and encourages other recent grads to think beyond the traditional path to employment.

Kyle Thomas discusses the benefits of incorporating mobile platforms into theatrical performance.

Emma Wiseman on Dangerous Ground’s adaptation of the 1972 film Solaris, S., in New York City.

In his second installation, Jay Ruby looks closely at precarity and the three types of edges that exist within his practice.

In this installment, David Dudley talks with Goddard’s Elena Georgiou about the benefits of earning an MFA in a low-residency model, and how that can help shape a writer’s voice.

In the first of a series of four posts documenting the process of producing Rent with students in North Dakota, Chelsea Pace describes overcoming her own mixed feelings about the musical to see the value in the project.

Farm Theatre’s artistic director, Padraic Lillis, discusses the success of The Farm Theater’s College Collaboration Project.

Iulia Popovici examines the state of independent work in Hungary during dunaPart, an organized showcase of mostly theatre and dance.

Jamie Gahlon interviews Richard Montoya, Ric Salinas, and Herbert Siguenza, now marking their thirtieth year as ensemble Culture Clash.

College student Kelsey May describes attending an open dress rehearsal at Opera Grand Rapids, and how the experience opened her eyes to a new art form.