Recent Podcasts

In this episode of Building Our Own Tables, host Yura Sapi discusses Seda Iranian Theatre Ensemble, the first Iranian theatre company in Seattle, with co-founder Parmida Ziaei.

In this episode of Building Our Own Tables, Yura Sapi talks about leadership in theatre with Black actor and educator Maurice Parent, a co-producer of the Collective.

In this episode of Building Our Own Tables, host Yura Sapi discusses Theatre Diaspora with co-founders Samson Syharath and Dmae Lo Roberts.

In this final episode of Kunafa and Shay, Marina and Nabra are focusing on MENA theatre in the United States with playwrights Lameece Issaq, Torange Yeghiazarian, and Jamil Khoury.

Join Marina and Nabra on this week's episode of Kunafa and Shay as they discuss Middle Eastern and North African cuisine in theatre and their lives.

On this week’s episode of Kunafa and Shay, join Marina and Nabra as they discuss Forum Theatre in Palestine with Palestinian actors and founders of ASHTAR Theatre Edward Muallem and Iman Aoun.

On this week's episode of Kunafa and Shay, Marina and Nabra discuss Western ideals of women, specifically Arab women, and two adaptations of Western plays by Arab women. The hosts also explore the authentic Arabic feminist themes in the plays Jogging: Theatre in Progress and Noura.

On this episode of Kunafa and Shay, Marina and Nabra discuss Egyptian street theatre with Egyptian curator and coordinator Mohab Saber.

On this week’s episode of Kunafa and Shay, join Marina and Nabra as they discuss MENA drama on video, touching a wide range of plays. Marina and Nabra also interview Andrea Assaf about her works, DRONE and Eleven Reflections on September.

On this week’s episode of Kunafa and Shay, join Marina and Nabra as they interview Jen Marlowe about her company Donkeysaddle Productions, where Jen conducted interviews for fifteen years to create the verbatim piece There is a Field, a play about Asel Asleh, a seventeen-year-old Palestinian citizen of Israel killed by police in October 2000. Donkeysaddle used this piece to connect communities in the way it was subsequently performed and then documented. Listen to find out how this piece came to be.