Recent Podcasts

Abundance Zaddy joins Yura Sapi to talk about creating Cause Reign, an oral history project that connects Black people—with a focus on Black trans and queer folks—to their histories through dreamwork, the practice of remembering, recording, and activating the healing potential of dreams. Topics in this episode include prioritizing love and sweetness, transcending time, and asking for consent.

Theatre for development, which uses theatre to foster civic dialogue in communities, is quite popular in Malawi. Fumbani Innot Phiri, Jr. sits down with theatre for development practitioner Vitu Gwambaike Zgambo find out what commercial theatremakers in Malawi’s cities and towns can learn from the community-based practitioners creating theatre in villages around the country.

How exciting is it to transform our future and be the future ancestors we dream for? Yura Sapi opens the space with a gratitude ritual and shares about what’s to come on the new season of the Building Our Tables podcast. Topics for this season include evolutionary times, the four elements, and sounds of nature.

When filmmaker Thomas Chibambo founded the Blantyre Arts Festival in 2009, it was Malawi’s first multi-disciplinary arts festival. He joins host Fumbani Innot Phiri, Jr. to discuss the Blantyre Arts Festival’s current plans to better support theatrical performance and his own work to establish an Arts Council in Malawi.

Pleasant Theodore Banda led Rise Arts to its first international performance in Zimbabwe. In this interview, he discusses his path into artistic direction as an actor and playwright with a background in accounting.

Fumbani Innot Phiri Jr. interviews playwright and director Inno Katz about his career and his efforts to redefining Malawian theatre by focusing on local stories in both English and Chichewa.

Jack Msumba, creative director of Youth Developers Collaboration Theatre, has big ideas for the future of Malawian theatre. In this interview, he shares his plans to eventually build Malawi’s first theatre house by producing work consistently in schools, communities, and commercial settings.

Lydia Deborah Banda infuses theatre into community initiatives that work toward gender equality, educate girls about menstruation, and provide leadership and support opportunities in schools and prisons. In this interview, she shares her experiences conducting these initiatives in Malawi and touring internationally to Germany.

Bright Phumayo Chayachaya’s Umunthu Theatre pulls together political theatre, poor theatre, theatre for development, and educational theatre to create productions that centralize Malawian narratives. In this interview, he discusses the company’s genesis and the need to bring audiences back to theatre.