Dr. Claudia Orenstein of Hunter College introduces us to the art of tolpavakoothu, a shadow puppet tradition from Kerala, in southern India.

Dr. David Nicol talks about his project to turn early modern theatre manager Philip Henslowe's "diary" into a daily blog.

Dr. Christian DuComb of Colgate University joins us to talk about Philadelphia's Mummers Parade and how the figure of the "Mummers wench" has its roots in the history of blackface minstrel shows.

Filmmaker Tracy Heather Strain talks about her new documentary Sighted Eyes/Feeling Heart, which explores the life and work of playwright Lorraine Hansberry.

Dr. Noe Montez of Tufts University joins us to talk about how Argentina's theatre have dealt with the legacy of the country's period of military dictatorship.

Amy Meyer joins us to talk about acrobatic accidents in the nineteenth and early twentieth centuries, as well as what they tell us about our appetite for risky entertainment.

Dr. Sharrell Luckett joins us to discuss her new book Black Acting Methods: Critical Approaches.

Dr. Erin Mee of New York University joins us for the second part of our series on Indian theatre. In this episode, she explains how modern Indian theatre developed in the decades before and after independence.

Dr. Erin Mee of New York University joins us to discuss kutiyattam, a style of theatre from southwestern India that brings ancient Sanskrit dramas to life.