How has the circus changed from its earliest origins to today? CarlosAlexis Cruz joins us to explain how acrobatics and storytelling have come to replace the big top and the three-ring circus.

How did Black theatre connect with the Civil Rights Movement? Dr. Julie Burrell of Cleveland State University joins the Theatre History Podcast to talk about William B. Branch's one-act play A Medal for Willie and the underappreciated radicalism of theatre in the 1950s.

Playwright Chantal Bilodeau joins us to discuss her essay "Why I'm Breaking Up with Aristotle," and how we need to explore new forms of storytelling in order to create theatre that engages with issues like climate change.

Dr. Kevin Clarke of the Operetta Research Center introduces us to Weimar-era operetta, which pushed artistic and social boundaries and is finally enjoying an artistic and scholarly reappraisal after decades of neglect.

Dr. Nora Williams joins us to talk about Measure (Still) for Measure, a devised theatre project in the US that revises Shakespeare's infamous "problem play" in order to engage with issues such as sexual consent.

Dr. Amy Cook of Stony Brook University joins us to discuss her new book, Building Character: The Art and Science of Casting.

Dr. Claudia Orenstein of Hunter College introduces us to the art of tolpavakoothu, a shadow puppet tradition from Kerala, in southern India.

Dr. David Nicol talks about his project to turn early modern theatre manager Philip Henslowe's "diary" into a daily blog.

Dr. Christian DuComb of Colgate University joins us to talk about Philadelphia's Mummers Parade and how the figure of the "Mummers wench" has its roots in the history of blackface minstrel shows.