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Recent Essays

This is a repository of written content, sorted by most recent to oldest. Enjoy!

Essay
11 March 2018

Playwright Tiffany Antone discusses Protest Play Projects, a new initiative that is organizing theatrical action around gun control in the United States.

Essay
8 March 2018

Artistic Director Kristin Marting discusses how developmental programs can better meet the needs of artists and shares best practices from HERE’s multi-year artist residency program in New York City.

Essay

The Challenge of Documentary Theatre

7 March 2018

Anthony Dvarskas discusses the process of researching and creating America is Hard to See, a documentary theatre piece detailing the lives of a small community of sex offenders, and the town that had to adjust to their new neighbors.

Essay
5 March 2018

Director Amy Clare Tasker on how the organizing practice of Open Space has revolutionized her work.

Essay
4 March 2018

Educator and actor Gary Sloan on teaching theatrical techniques to incarcerated adults and young men to provoke and inspire change.

Essay
1 March 2018

Jonathan Mandell looks at several current plays that depict violence by or against African Americans, including LeKethia Dalcoe's A Small Oak Tree Runs Red, Gabriel Jason Dean's Terminus, and Althea Harris's Is God Is.

Essay

An Interview with Dan Kois

28 February 2018

Catherine Trieschmann interviews Dan Kois, the co-author of an oral history of Angels in America.

Essay
27 February 2018

Jennifer Onopa interviews Sanaz Ghajar, Rebecca Martínez, and Nicole A. Watson about their experience in the field as directors and women of color.

Essay

Creating Self-Advocating Artists Starts in the Classroom

26 February 2018

Elizabeth Horn reflects on how in the aftermath of #MeToo, it is more important than ever to teach the next generation of theatremakers ideas of consent, respect, and how to advocate for themselves as artists.

Essay
25 February 2018

Scholar Emily Garside looks at the significance of the revival of Tony Kushner’s Angels in America and asks how a play about 1980s America and the AIDS epidemic fits in our current theatre scene.

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