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Recent Essays

This is a repository of written content, sorted by most recent to oldest. Enjoy!

Essay
13 November 2017

Jose Luis Valenzuela delivers an Encuentro de las Américas Manifesto as a part of the 2017 Latinx Theatre Commons International Convening in Los Angeles, California.

Essay

The Latinx Theatre Commons at Four Years

12 November 2017

An overview of the history and progression of the Latinx Theatre Commons by Brian Herrera, as the LTC enters its fifth year of cross-cultural collaboration and lifting up and strengthening Latinx and Latin American Theatre.

Essay
9 November 2017

Movement director and professor Yo-El Cassell reflects on how movement should help people access playfulness and joy, regardless of ability.  

Essay

Approaching Gender Parity through Actor Training

8 November 2017

What are female acting students learning in the classroom? Educator and director Katherine McGerr discusses how gender parity in theatre starts in the classroom.

Essay
7 November 2017

Kate Langsdorf finishes the series by reflecting on her experience attending different shows as an audience member in Los Angeles, California.

Essay

Occupation and Immersion

6 November 2017

Thomas Schmidt talks about the recent protest at the Berlin Volksbühne over the change of leadership and immersive theatre in Germany.

Essay

The 12th Annual Provincetown Tennessee Williams Theater Festival

5 November 2017

Williams and Shakespeare at The 12th Annual Provincetown Tennessee Williams Theater Festival.

Essay
2 November 2017

Jonathan Mandell takes on two recent plays based on real events, considering productions of Ferguson and The Siege.

Essay

A Different Approach to Segmenting Audiences

1 November 2017

In a second installment about results of a survey of theatregoers to consider best practices to market lesser-known plays, Meghan Randolph discovers commonly held assumptions about segmenting audiences are wrong.

Essay

The Birth of the Non-Binary Monologues Project

30 October 2017

K. Woodzick talks about creating The Non-Binary Monologues Project, and the need for more resources for non-binary theatremakers.

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