Playwright Tiffany Antone discusses Little Black Dress INK’s “We’re Not Playing” initiative, advocating the need for theatrical protest for social change.
It’s Time to See More Works from Women Writers of Color on Stages Across America
14 January 2017
Playwright Chisa Hutchinson and Artistic Director Wesley Frugé discuss the current climate for work by playwrights of color, and advocate producing more work by women writers of color.
Saheem Ali, a steering committee member for The Ghostlight Project, outlines the inspiration for and aims of the initiative, and suggests action steps for individuals and institutions.
Cherry Lou Sy reports on the first day of 2016 NOW AFRICA Playwrights Festival, which included a panel discussion and performances addressing connection across the African Diaspora.
Interview with Elyse Dodgson, the International Director at the Royal Court Theatre, at the Stanislavsky Electrotheatre in Moscow about her work and relationship with playwright Sarah Kane.
Hailey Bachrach reflects on Phyllida Lloyd’s The Tempest, the final installment of her Shakespeare trilogy featuring all-female casts, produced by the Donmar Warehouse at London’s King’s Cross Theatre.
Eric Booth discusses the El Sistema model, an international music training program for young people living in poverty across the globe, and advocates for a similar widespread program for the theatre community.
