Interning and Envisioning at The Theater Offensive
23 January 2017
Tatiana Gil reflects on her experience interning for The Theater Offensive in Boston, Massachusetss last summer, sharing her vision of organizing creative spaces for queer youth.
Making The Work Matter with Double Edge Theatre at Boston Conservatory at Berklee
21 January 2017
Mark Krawczyk writes about the experience his students at Boston Conservatory at Berklee had during a semester of working with artists from Double Edge Theatre.
Sara Warner interviews performance artists Holly Hughes and Lois Weaver and social media coordinator Mary Jo Watts about their initiative Not My Presidents’ Day.
On the eve of the inauguration of Donald J. Trump, Jonathan Mandell looks at how the political resistance of theatre artists is playing out on and off stage in New York.
Abbey Fenbert examines the intersection of theatre and physical discrimination, and considers what is the responsibility of artists interested in transcending, rather than reinforcing, the myths society projects upon the body?
Amelia Parenteau deconstructs the use of technology in The Builders Association’s production of Elements of Oz, an adaptation of The Wizard of Oz, presented at 3LD in New York City.
