In this last installment, Producing Artistic Director Tami Dixon reflects on the role of the actor’s relationship with audience members in immersive theatre.
Ricky Young-Howze challenges theatre companies to rethink the conventional aesthetic of silent audiences and find creative ways to accommodate audience members with invisible disabilities.
Billy McEntee traces the social history connected to Arthur Miller’s The Crucible, which premiered on Broadway in 1953 during the height of McCarthyism.
