Actor Gardiner Comfort discusses his experiences as a performer and audience member with Tourette Syndrome, and how it has inspired aspects of his solo show The Elephant in Every Room I Enter.
On Albert Camus’s birthday, scholar Amy Brady reviews an article that was published in Theatre Arts Magazine in 1960 reflecting Camus’s reasons why he worked in theatre.
Finding Humanity in Alchemy of Desire/Dead Man’s Blues
7 November 2015
Emerson College student Andrew Siañez-De La O writes about RareWork’s Theatre Company’s production of Caridad Svich’s Alchemy of Desire/Dead Man’s Blues.
Playwright Lee Nowell talks about the development of Beyond Reasonable Doubt:The Troy Davis Project and speaks with playwrights Gabrielle Fulton and Phillip DePoy about creating work today that deals with race.
Henrik Eger reports on the trajectory of the Catholic docudrama Full of Grace from vision of the late Bishop Joseph Sullivan of Brooklyn to the stage in Philadelphia.
