Jan Cohen-Cruz responds to Daniel Jones' post: can anyone from any political background produce theater? The answer is yes... if you look at the many different forms that theater can take.
Bertie Ferdman writes about the use of immersion in Roadskill and La Ruta, and how this trend in storytelling can help us create political theater that creates empathy and action.
In a country that is strongly divided, Daniel Jones wonders about the opportunity for conservative stories to be shown on stage. Would opposers be willing to engage in this story?
Michael Rohd continues the series on the intersection of political ideology and art in their work. We know that content is political... but how can form dictate a play's mission as well?
