An interview with Team Singapore about their experience creating theatre that crosses borders through technology and how theatre can change the audience experience through it.
A look into how director Mary Zimmerman brought The Jungle Book, steeped in racial contexts of British Colonization and 1960s America, to today’s conversation of what has and hasn’t changed.
With one actor playing to one audience member, Garret Jon Groenvelt sought to create a play that entices the audience member to interact with the material.
In this first installment, Talya Kingston struggles to figure out the best way to choose from all of the possible selections to see at Edinburgh Fringe.
Ana Margineanu and Tamilla Woodard talk about how Skype is changing not only the creative experience for artists but also how and where audiences participate in theatre.
The Evolution of Asian American Theater in Los Angeles
8 August 2013
Even though Los Angeles has a fifteen percent Asian population, the question is still up in the air about the representation of these artists and their stories in mainstream media channels.
Alice Reagan, with the help of Chiori Miyagawa, explores the necessity of parting ways and coming back together through revamping the process of creating plays.
