Holly L. Deer writes about the politics of the female voice, and the hypothetical world in which all of us would have professional training for our speech.
John Moletress writes about the difficulties of talking about gun control, and how that translates to creating theater about violence – and creating spaces for conversation in the communities surrounding them.
Daniel Sack writes through the one-night-only performance of Romeo Catellucci's Schwanengesang D744 at the 2013 Avignon Festival, and how it turned its gaze back on the spectator.
Cecilia Copeland’s uncle was her rock within any family flict. Her uncle also loved guns which has inspired her to write with his life in mind as she navigates the topic of gun control.