Alice Stanley writes about experiencing Chuck Mee's soot and spit, an experimental play about the artist James Castle featuring deaf and cognitively challenged actors.
Holly Derr reports from LA Stage Day, where a lack of female playwrights demonstrates a larger problem: if LA has so many female writers, then how come none of them are getting produced?
Andrew Alexander looks at Atlanta-based theatre company Saiah, which took on the challenge of making a sea and whale come alive for audiences in their adaptation of Herman Melville's Moby-Dick.
NoPassport collaborates with The Vicious Circle for Gun Control Theatre/New Media Action Week to keep the dialoge through art alive on the subject of gun reform globally
Matt McGeachy tallks about VideoCabaret’s The War of 1812, which attempts to understand the war and its consequences through comedy, tragedy, and Canadian history.
This week's activity will be a voting rally and open discussion forum about the Culture Coin project that HowlRound is proposing in the ArtsFwd Business Unusual Challenge.
