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This is a repository of written content, sorted by most recent to oldest. Enjoy!
Introducing The New York Times Critic Watch, a reader-fueled experiement to map the effect of the Times' critics on the American theatre.
Annah Feinberg offers insight on her experiences as an intern.
Deborah Cullinan asks how the theater community can create work that crosses the fractured lines of our contemporary communities and truly converges with the outside world.
Erin Washington interviews Steven Sapp about his process with Universes, and their show Party People at Oregon Shakespeare Festival.
Musical theatre composer Dave Malloy questions why musical theatre has become uncool and makes a case for authenticity in the theatre.
Miriam Weisfeld ruminates on whether art should hurt, examining the dynamics of visual art, theatre, and American culture.
P. Carl ruminates on the comparison between an ER and a rehearsal room, and the lessons we can lean as theater makers from both.
"I keep thinking about these orphaned plays, which were in fact once loved. Where do they fit in the new play lifecycle of American Theater?"
Michael Rohd details the how, the why and the what of his approach to making civic theater.
