Barbara Fuchs and Rafael Jaime argue that beyond the English-language theatrical canon lies a rich corpus of classical work that remains remarkably hospitable to women, focusing their discussion on two playwrights: Ana Caro and Sor Juana Inés de la Cruz.
The HowlRound team shares a primer on livestreaming, in the hopes that people will consider using HowlRound TV as an alternative or enhancement to in-person gatherings.
Jonathan McCrory talks about the JUBILEE’s initiative of spotlighting “cultural architects”—theatre organizations that have been producing work of historically marginalized voices for years, before it was a “trendy” thing to do.
Tiffany Vega-Gibson shares information she gleaned from seven theatre companies around the United State about how to best work with young artists who may be struggling in their personal lives.
On the National Convening for Artists of Middle Eastern, North African, and Southwest Asian Descent
5 March 2020
Denmo Ibrahim reports on the National Convening for Artists of Middle Eastern, Southwest Asian, and North African Descent, which took place in San Francisco in November 2019.
In the second half of this two-part deep dive, playwright John J King continues his exploration into self-producing, looking at the production phase and marketing.
In the first half of this two-part deep dive, playwright John J King looks at the world of self-producing, touching on building a mission statement, budget concerns, and the script development process.
Through the lens of developing his show Gasping Whiteness, Will MacAdams talks about the value of creating theatre in partnership with community organizers.
