Aphra Behn from Guerilla Girls On Tour reports on the 2015 Women Playwrights International Conference in Cape Town, South Africa.

What is the process of developing new musical theatre? How can composers and lyricists better protect their work, while also promoting it?

This series explores the ways various artists and companies employ the tools of interactive theatre to complicate audiences’ individualized experiences and get them thinking about their place within a community.

As a field, we talk frequently about the results of season planning, but we rarely are given the opportunity to examine the myriad decisions season programmers need to make.

This series focuses on theatre and film in a fly-over state like Kentucky that is struggling to not only join, but also lead in the twenty-first century.

A look at the art form through the eyes of some of its most innovative and stalwart thinkers.

Interviews with playwrights participating in the 2015 Carnaval of New Latinx Work.

Often deemed unable to compete with the “serious” storytelling capabilities of Realism, this series discusses the rich history of genre theatre.

A nation characterized by its Apartheid legacy and struggle for liberation, we hear the story of a nation reborn and the art at its center through the voices of some of its most dynamic artists.

A nation characterized by its Apartheid legacy and struggle for liberation, we hear the story of a South Africa reborn, and the art at its center, through the voices of some of its most dynamic artists.