Who Designs and Directs in LORT Theatres By Pronoun
This is a series of four reports written by Porsche McGovern over the course of five years, looking at who directs and designs set, costume, lighting, sound, and projections in US LORT theatres by gender.
The US and Canada are in the middle of an unprecedented turnover of artistic leadership in the nonprofit theatre. This series aims to put a range of voices, issues, and ideas in play that can inform and reflect this historic changeover.
The first Alaskans have been telling the real story of the land for thousands of years. Yet so often, these are not the stories the rest of the world, or often even the rest of Alaska, knows outside of our communities.
This series highlights the work that is being done around artist rights and safety in the theatre world, in the hopes that we can ignite dialogue, spark further exploration, and encourage more people to get involved in this growing field.
Nashville, Tennessee is well known as the Music City, but the rest of the performing arts scene doesn't get much attention. This series, highlighting Nashville’s lively artistic community, built on a foundation of interdisciplinary collaboration.
This series covers challenges faced by parent artists and builds on the work of the Parent Artist Advocacy League for the Performing Arts (PAAL), a national resource hub and all-parent, all-discipline league advocating for a national standard of best practices for parents in the performing arts.
Populism may be considered as an ideology, a movement, or simply a style. Some may perceive it as a weapon against democracy, because it shrinks the space for plurality; some may view it as democracy's last vessel of hope, because it brings politics closer to the people. This series explores how the Belgian arts sector confronts this complex phenomenon.
