Recent Series

In tandem with its curated micro-commission series, "Unbought & Unbossed: Reclaiming Our Vote," National Black Theatre is hosting three NBT @ HOME conversations with its commissioned artists as well as community leaders and historians about the 100th Anniversary of the 19th Amendment, combating voter suppression, and our power to reclaim our vote.

The Roma theater has more than a century long past with active professional theatre groups in many European countries, but unfortunately, they are still hardly known.

performingborders is a curatorial research-platform that explores the relations between Live Art and notions and lived experiences of cultural, juridical, racial, gendered, class, physical, economic, and everyday borders.

On the history and presence of the Nipmuc and other Tribes in Ashfield and the surrounding areas.

The LA Writers Center is proud to be a diverse organization. We have developed new work that has amplified BIPOC and LGBTQIA+ stories for almost two decades. But we can do better. We think instead of speaking, it would be better to listen. Instead of making promises, it would be best to take action. With that in mind, LAWC is partnering with HowlRound to present “Breathe” an online play reading series designed to advance these stories.

Without constraints, what do we want theater to look like?

culturecapital is a live art project that takes the form of a collectible card game and living archive. The project is constructed from two sets of data: (1) hundreds of interviews with artists about their experiences making performance in Canada and (2) five years worth of municipal, provincial, and federal public funding data on performing arts companies. Using this information, the game strives to create a context in which players can question, understand, and celebrate how value is determined, shifted, and produced within theatre, dance, and live arts in Canada. No prior knowledge of art or games is required.

Alert! Seismic shifts underway. Culture, politics, and policy are transforming in real time. In the wake of ongoing racist police violence and the murders of George Floyd, Ahmaud Arbery, Breonna Taylor, Tony McDade, and countless others, and while we continue to face the COVID-19 crisis, our society is igniting the potential to leap forward. How can you engage in the reset? How can you support a radical reimagination of what is possible? How can you push against old structures and work to rebuild?

Green New Theatre (GNT) is a movement building tool that provides a set of actionable principles for the arts field to adapt and evolve in the face of the climate crisis. Our approach is multi-layered and emergent. It adapts for organizations and individuals at every level of production.

The virtual series will explore the theme of the upcoming 7th Annual Asian American Theater Festival & Conference (ConFest) “Kuʻu ʻĀina, Kuʻu Piko, Kuʻu Kahua - Return to the Source” in Honolulu, Hawaiʻi in May 2021, which centers the voices of Native Hawaiian and Pacific Islander theater practitioners, and will feature the thriving theater community of Hawaiʻi, where Asian American, Native Hawaiian, and Pacific Islander faces on stage are the norm, not the exception.