Recent Essays

Joseph Dunne-Howrie examines the way that three of Javaad Alipoor’s plays infuse the internet into theatrical performance, creating intersecting narratives that interrogate identity formation in the age of global interconnectivity.

Theatre critic Jonathan Mandell discusses virtual playwriting series Bard at the Gate and looks at the impact and future of digital theatre.

Playwright Carlyle Brown describes his journey with the play We Take Care of Our Own by Zainabu Jallo, detailing the joys and challenges that come from work featuring characters in their eighties and nineties.

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The Divine Comedy Theatre Festival in Kraków, Poland explored the theme of “Polish Taboo” across its thirty-two productions this year. Howard Shalwitz, who attended the festival as part of an American delegation of artists building connections between the United States and Poland, shares his experience attending the festival.

Lisa Rafferty sits down with Ukrainian documentary storyteller Alem Kent to discuss Kent’s Our Response Ability and upcoming work with ProEnglish Theatre. Through documentary and verbatim theatre practices, these productions detail experiences of Ukrainians living under siege and working as war persists around them.

Theatre artist Michael Rohd shares a lyrical call for more civic imagination, community care, and care-centric processes in the theatre field.