Recent Essays

This is a repository of written content, sorted by most recent to oldest. Enjoy!

Curating Courage and the Future of Latinx Theatre / Valentía Curatorial y el Futuro del Teatro Latinx
Essay

Curating Courage and the Future of Latinx Theatre / Valentía Curatorial y el Futuro del Teatro Latinx

1 August 2018

Playwright Georgina Escobar reflects on the curation of the 2018 Latinx Theatre Commons (LTC) Carnaval of New Latinx Work: ¡ConeXión!, which took place 19-21 July 2018 in Chicago, Illinois. / Escritora Georgina Escobar refleja sobre la curación del 2018 Latinx Theatre Commons Carnaval de Obras Nuevas, cual fue el 19-21 de Julio del 2018 en Chicago, Illinois.

aerial view of people sitting in a circle
EXTENDED TO 16 SEPTEMBER
Essay

EXTENDED TO 16 SEPTEMBER

Accepting Applications for the Deaf Theatre Action Planning Session

31 July 2018

The Deaf Theatre Action Planning Session, a convening for deaf theatremakers taking place on 15-17 March 2019, is accepting applications for convening participants.

Blurring Borders with Práctica/ Borrando las fronteras con Práctica
Essay

Blurring Borders with Práctica/ Borrando las fronteras con Práctica

30 July 2018

Beatrice Basso discusses what it was like to bring multidisciplinary artists from north and south of the US-Mexico border together to create and learn from each other in the artist-driven exchange Práctica. / Beatrice Basso analiza cómo fue el intercambio artístico Práctica, en el que artistas del norte y del sur de la frontera México-Estados Unidos se reunieron para crear y aprender unos de otros.

Twenty-five Meditations on SITI Company’s Theater Piece No. 1
Essay

Twenty-five Meditations on SITI Company’s Theater Piece No. 1

29 July 2018

David Dudley explores the story behind John Cage’s Theater Piece No. 1 and discuses SITI Company’s recent production of it, which was conceived and directed by Anne Bogart.

The How of Theatre
Essay

The How of Theatre

a Playwriting Class

24 July 2018

Playwright Lauren Gunderson offers other writers lessons on dramatic structure, building characters, and crafting a powerful ending.

Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre
Essay

Seventeen Thoughts (in Random Order) about Neo-Futurism and Experimental Theatre

23 July 2018

Rob Neill, founding ensemble member of the New York Neo-Futurists, shares his thoughts on the company’s process, devising work, and creating rituals in theatre.

Puerto Rico, Politics, and the Diaspora in Magdalena Gomez's Dancing in My Cockroach Killers
Essay

Puerto Rico, Politics, and the Diaspora in Magdalena Gomez's Dancing in My Cockroach Killers

22 July 2018

Noe Montez interviews ensemble members from New York's Pregones Theatre on Dancing in My Cockroach Killers, which ran from 7 June to 1 July 2018 at the GALA Theatre in Washington, DC.

Celebration, Abundance, and ConeXion
Essay

Celebration, Abundance, and ConeXion

Welcome to the Carnaval of New Latinx Work

19 July 2018

Lisa Portes' remarks from the opening of the Latinx Theatre Commons Carnaval of New Latinx Work in Chicago, Illinois. 

Talking about Protest with the Language of Actor Training
Essay

Talking about Protest with the Language of Actor Training

17 July 2018

Actor and literature/theatre professor Courtney Bailey Parker talks about national anthem protests, performance as activism, and theatre artists as mediators.

Playwright Edouard Elvis Bvouma on Cameroonian Theatre / Le dramaturge Edouard Elvis Bvouma discute du théâtre au Cameroun
Essay

Playwright Edouard Elvis Bvouma on Cameroonian Theatre / Le dramaturge Edouard Elvis Bvouma discute du théâtre au Cameroun

16 July 2018

Heather Jeanne Denyer interviews Cameroonian playwright Edouard Elvis Bvouma about the country’s theatrical landscape, touching on topics like the low number of companies that regularly produce work, female artists in the field, and building public interest in the art form. / Dans cet entretien, Heather Jeanne Denyer discute avec le dramaturge camerounais Edouard Elvis Bvouma de la scène théâtrale dans son pays, en abordant des sujets tels que le manque de compagnies, la création par les femmes, ainsi que le développement et l’intérêt du public pour cet art.

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