Amelia Parenteau, along with theatremakers Eva Doumbia and Marie Houdin, explores the similarities and differences of parades and protests.

D.R. Baker examines some of the realities of artists working in the American theatre and explores how empathy can be harnessed to make the industry a more positive place to work.

Pamela López and Andrés Kalawski talk about the research they have done around theatre programmers in Chile.

Herbert Siguenza, co-founder of the Latino performance troupe Culture Clash, talks about his unconventional writing path, his time working with the collective, and finding his unique voice.

The Latinx Theatre Commons (LTC) announces the publication of Encuentro: Latinx Performance for the New American Theater, a new anthology of Latinx plays and performances that emerged from the Encuentro 2014 National Latina/o Festival.

Farai Mabeza offers an overview of theatre in Zimbabwe, from the major theatre in the capital city, to smaller community theatres, to the country’s festivals.

Alix Rosenfeld talks about the difference between inclusion and belonging when it comes to working with the disability community, using the Philadelphia-based FringeArts production of A Fierce Kind of Love as an example.

Sydney Isabelle Mayer discusses the importance of terminology when it comes to “trigger” warnings, how artists can best offer warnings for their shows, and what it means to create a responsible theatremaking process.

Playwright Pearl Cleage reflects on the power of truth-telling to find common ground and discusses how Alliance Theatre in Atlanta, GA is working to confront the legacy of Southern racism.

Bri Ng Schwartz looks at the importance of companies doing the hard work when it comes to equity, diversity, and inclusion conversations and initiatives.