Lydia Milman Schmidt, founder of the advocacy group Parents in Chicago Theatre, looks at the progressive policies Rivendell Theatre Ensemble has in place when it comes to working with parent artists on production.

Jen Gushue explores the emergence of filk theatre, a niche genre that uses a folk-concert frame as a basis for storytelling.

Rob Onorato talks about boredom as an audience member, the uninspired play, what film has going for it that theatre does not, and more.

Susie Medak, managing director of Berkeley Rep Theatre, talks to Rob Orchard about how to best prep staff for a major leadership change, how an outgoing artistic director can work with the incoming one, and more.

Jenifer Schmidt examines Heidi Schreck’s new solo play that speaks to women’s political, cultural, and social history in the United States.

Porsche McGovern wraps up Phase Four of her research on the gender of LORT theatre designers.

Playwright Peter Nachtrieb gives his reflections on the Comedy Convening co-hosted by HowlRound in Boston, MA on 17 and 18 October 2018. 

Porsche McGovern shares phase four of her research on the gender of LORT theatre designers.

Susan Medak, managing director of Berkeley Rep Theatre, speaks with Rob Orchard about a board’s involvement with changing leadership, reevaluating a company’s artistic mission in the lead up to hiring someone new, and more.

For the fourth year, Porsche McGovern shares her research on the gender of LORT theatre designers. In this second installment of this essay, Porsche focuses on region.