Playwright Georgina Escobar reflects on the curation of the 2018 Latinx Theatre Commons (LTC) Carnaval of New Latinx Work: ¡ConeXión!, which took place 19-21 July 2018 in Chicago, Illinois. / Escritora Georgina Escobar refleja sobre la curación del 2018 Latinx Theatre Commons Carnaval de Obras Nuevas, cual fue el 19-21 de Julio del 2018 en Chicago, Illinois.

Beatrice Basso discusses what it was like to bring multidisciplinary artists from north and south of the US-Mexico border together to create and learn from each other in the artist-driven exchange Práctica. / Beatrice Basso analiza cómo fue el intercambio artístico Práctica, en el que artistas del norte y del sur de la frontera México-Estados Unidos se reunieron para crear y aprender unos de otros.

David Dudley explores the story behind John Cage’s Theater Piece No. 1 and discuses SITI Company’s recent production of it, which was conceived and directed by Anne Bogart.

Playwright Lauren Gunderson offers other writers lessons on dramatic structure, building characters, and crafting a powerful ending.

Rob Neill, founding ensemble member of the New York Neo-Futurists, shares his thoughts on the company’s process, devising work, and creating rituals in theatre.

Noe Montez interviews ensemble members from New York's Pregones Theatre on Dancing in My Cockroach Killers, which ran from 7 June to 1 July 2018 at the GALA Theatre in Washington, DC.

Lisa Portes' remarks from the opening of the Latinx Theatre Commons Carnaval of New Latinx Work in Chicago, Illinois. 

Actor and literature/theatre professor Courtney Bailey Parker talks about national anthem protests, performance as activism, and theatre artists as mediators.

Heather Jeanne Denyer interviews Cameroonian playwright Edouard Elvis Bvouma about the country’s theatrical landscape, touching on topics like the low number of companies that regularly produce work, female artists in the field, and building public interest in the art form. / Dans cet entretien, Heather Jeanne Denyer discute avec le dramaturge camerounais Edouard Elvis Bvouma de la scène théâtrale dans son pays, en abordant des sujets tels que le manque de compagnies, la création par les femmes, ainsi que le développement et l’intérêt du public pour cet art.