Dave White dives into the programming at this year’s Nová Dráma Festival in Slovakia, where women were front and center.

Amy Steiger reflects on some of the classic acting texts—which are overwhelmingly written by cis white men and use colonialist, binary, and patriarchal language and narratives—and how teachers should be approaching them today.

May Antaki reflects on the Digital + Performance Convening, produced by HowlRound Theatre Commons and SpiderWebShow Performance, which focused on the intersection of digital technology and live performance.

Playwright Peter Nachtrieb and artistic director of San Francisco’s Z Space, Lisa Steindler, talk about the National Playwright Residency Program, getting out of your comfort zone, making a living as a writer, and more.

Tara Brooke Watkins discusses how Oklahoma! has shaped the state’s cultural identity, the Tulsa Race Massacre, and Spinning Plates’s production of the musical with an all-black cast.

verity healey does a deep-dive into the Our Stage – 4th European Bürgerbühne Festival, which took place in Dresden, Germany, in May 2019.

Kitty Drexel and Regina Victor, both artists and critics, talk about working through biases, accountability, transparency, and more.

Shari Caplan discusses the Huntington Theatre’s production of Yerma.

Karen Malpede argues that significant theatrical engagement with the climate crisis cannot occur in the United States without governmental intervention, and looks at the Federal Theatre Project as a model.

Alex Ates reflects on the Toddler Takeover at Atlanta, Georgia’s Alliance Theatre and shares what the growing field of theatre for the very young can teach adult theatremakers about their craft.