Summer Robinson interviews playwright Lynden Harris about her work creating theatre with men on death row across the United States.

Madeleine George and Mike Lew talk about writing comedy for theatre, vulnerability as playwrights, working with different aesthetics, and more.

Nan Barnett, National New Play Network’s executive director, talks about the organization’s twenty-year evolution; the realization that, as a governing body, they were “really, really white”; and their commitment to turning the organization into a replicable model of a diverse and inclusive ecosystem.

Frankie Mulinix speaks with Rob Mello, owner of Atlanta’s Rob Mello Studios, about the city’s artistic spaces, governmental and organizational support, the lack of arts coverage, and more.

Porter Grubbs discusses the importance of artistic spaces in Atlanta for the independent performing arts scene, focusing specifically on the Bakery and Mammal Gallery.

Frankie Mulinix and Porter Grubbs introduce the three-part Atlanta series with a conversation about the city’s performance scene, building audiences, the importance of affordable spaces, and more.

Playwright Aleshea Harris reflects on the tensions of being a Black theatremaker and "negotiating bodily presence" in a speech at the 2020 Under the Radar Festival Professional Symposium.

In part two of their conversation, Vera Starbard and Pearl Cleage—playwrights-in-residence at Juneau, Alaska’s Perseverance Theatre and Atlanta, Georgia’s Alliance Theatre, respectively—talk about different cultural practices, the white gaze, moving away from anger, and more.

In part one of their conversation, playwrights Vera Starbard and Pearl Cleage talk about their respective residencies—at Juneau, Alaska’s Perseverance Theatre and Atlanta, Georgia’s Alliance Theatre, respectively—race and representation at their institutions, not writing for a white audience, and more.

Amelia Parenteau discusses the Actions Caribéennes Théâtrales festival, which brought together francophones, francophiles, and theatre folks from around the world to witness staged readings of six French Caribbean plays in English translation.