In this final installment, Ricky Young-Howze reflects on self-producing new work in a “theatre desert,” and acknowledges the importance of learning, wisdom, and respect.
Jonathan Mandell compares The Penitent by David Mamet with Penitent by Terrance McNally, and argues that neither late-career playwright has anything for which to apologize.
In the final installment of this series—a collaboration with SpiderWebShow—Aislinn Rose describes her experience and revelations at the Women's March in Washington, DC.
