Chicago-based theatre practitioner, Amber Robinson, reflects on the polyphonic nature of The Goodman Theatre’s adaption of Roberto Bolaño’s novel 2666 and other multi-narrative theatrical works.
In this installment, Ricky Young-Howze discusses his experience marketing his play Last Hope for Twenty Miles, and what he learned for future reference.
In this installment, Damon Krometis shares his experience with garnering audience collaboration and gives tips on how to best include audience members in a performance.
