Did 2014 reflect a kind of final critical understanding of Eno’s subject matter? Are we all finally ready to experience with him, according to his rhythms and speech patterns, the gentle devastation of small town family life? Perhaps yes to all of the above.
Entering the Unknown, and Fostering the Conditions for Creativity in the Theatre
7 December 2015
Ben Yalom kicks off his series on ensemble theatre with this discussion of the differences between traditional and collaborative creative approaches to theatre.
Playwrights Magdalena Gómez, Irma Mayorga, Marisela Treviño Orta, Elaine Romero, and Martín Zimmerman weigh in on casting practices in light of recent debates.
