Rob Orchard reflects on his professional career at the Yale Repertory Theatre and the American Repertory Theatre, leading to his new position and excitment for Emerson's Office of the Arts.
Todd Lincon reflects on the aftermath of the Mike Daisey scandal involving his one man show The Agony and the Ecstasy of Steve Jobs, and the resulting scandal.
As the New Play Institute transitions to Emerson College as the new Center for the Theater Commons, we celebrate the accomplishments of the previous year with our annual report.
Natsu Onoda Power writes about the role of coincidence and fate in her career, and how the "choices" we make in our artistic journeys are hardly a matter of choice at all.
