The Capital Fringe Festival has outgrown Fort Fringe which brings to light the question: besides the church basement, who will give us space at a fair price point?
Jamie Gahlon has asked theatre artists from around the country to talk about their personal search for an artistic home. Molly Smith continues this series.
Jason King Jones interviews Karen Evans, President and Founder of The Black Women Playwrights’ Group, about the why she found it necessary to start producing.
This column, published every 4-6 weeks, examines issues of translation as they relate to the field of theatre and its intersections with other public and civic sectors. This edition: audience engagement.
