Recent Essays

Sophie McIntosh recounts her experience seeing Double Feature’s productions of Macbeth and A Midsummer Night’s Dream in one Brooklyn brownstone. The directors of the two shows prioritized care and collectivity and aimed to throw away power structures, despite their limited resources. As a person who has historically felt alienated by Shakespeare, Double Feature helped Sophie discover that Shakespeare was allowed to be for her too. 

Jan Cohen-Cruz delves into the process of bringing The Most Beautiful Home… Maybe, a multi-city project that aims to use art to influence how people think about housing, to Pennsylvania’s Lehigh Valley. Through this process, Jan saw how theatre can bring together housing advocates from different walks of life to find their commonalities and collectively imagine a world with equitable housing for all.

Sara Bozin explores the advice for performers within the theatre industry of saying “yes” to everything, how it infringes on the autonomy of theatremakers, and why and how one must learn to say no.

Dan Kpodoh’s The Struggle dramatizes governmental and corporate exploitation in the oil-rich Niger Delta by telling the story of a group of militants who sought liberation but became corrupted by financial interests. Eseovwe Emakunu, a Nigerian theatre professional, interviews Kpodoh about the play’s function as protest theatre against political oppression.

Alberto Justiniano and Milta Ortiz, artistic leaders at Teatro del Pueblo and Borderlands Theater, respectively, have to balance organizational leadership and prioritizing their art. They discuss this work and the ways they engage their Latine communities while providing them with avenues to reflect on social justice issues. 

In this installment of the Latinx Leaders at the Forefront series, artistic directors Mark Valdez and R. Réal Vargas Alanis discuss their work, diving into the impact of Latinx theatre and the Latinx renaissance in our midst.

The team at HowlRound Theatre Commons reflects on 2023 and looks ahead to 2024.

Amelia Parenteau details the devising process of Intramural Theater, sharing how the company creates a safe and supportive container for artists to tap into their wildest expressions and devise theatre that is wacky, surreal, and layered.

Mask maker Tara Cariaso details her process for creating new masks for Commedia dell’arte, alongside a pedagogy that removes the harmful stereotypes originally embedded in the form and creates space for more actor agency. 

How might neurodivergent adults like to experience theatre? Taking this question as his starting point, Rob Onorato explores an approach to performance that embraces elements of neurodivergence as catalysts for formal innovation.