Alexis Frasz and Holly Sidford of Helicon Collaborative share the case study they wrote on HowlRound. Alexis and Holly believe HowlRound’s story is particularly resonant for this moment in time, and has potential to influence thinking and shift practice in the theatre sector and beyond. This essay shares a few thoughts on why they think HowlRound’s story matters in today’s political and economic context.
Theatremaker Sloth Levine uses the casting conceit in Jaclyn Backhaus’s play Men On Boats as a jumping off point to explore gender diversity in casting.
Ash Marinaccio examines the importance of youth theatre in Palestine through the work of a number of organizations, including ASHTAR Theatre, the Freedom Theatre, and Al Rowwad Cultural and Theater Training Center.
Dominick DeGaetano takes us to Tbilisi, Georgia’s beloved marionette theatre, the Gabriadze, which was built and runs on the vision of single man, eighty-two-year-old Rezo Gabriadze.
Annalisa Dias discusses her work with the newly formed Groundwater Arts Collective, and suggests ways that other theatremakers committed to climate justice can adopt the framework of a Just Transition.
