Writer Warren Hoffman dives into the history of God of Vengeance, the Yiddish play from 1907 that inspired Paula Vogel's Indecent, and the questions around language and sexuality the play raised and continues to raise.
Dramaturg Gaven D. Trinidad reflects on workshopping Snowflakes, or Rare White People by Dustin Chinn as a part of UMass Amherst's New Play Lab in December 2017.
Shelby-Allison Hibbs interviews director Marianne T. Galloway and theatre administrator and actor Sherry Jo Ward about representation in the Dallas/Fort Worth area and what it’s like to create theatre with their unique physical challenges.
Theatre artist and educator Robert Ruffin explores the idea of theatre being necessary for human survival and the research that needs to be undertaken to prove it.
Georgia-based theatremaker Corey Bradberry reflects on lessons learned after creating an immersive murder mystery play in a four-story historical theatre, and muses on how large institutions sharing resources with smaller companies can lead to new and innovative creative partnerships.
Director Meggan Gomez reflects on working with her youth ensemble based in New Mexico to create _____ Historias, a play that is created in real-time in response to stories shared by the audience.
Scholar Emily Garside explores the ideas at the heart of Matthew Lopez’s play The Inheritance and the way in which the story acts as a response to Tony Kushner’s Angels in America.
LA arts administrator David Mack explores the topic of labor law, proposing that complying with it will help create and sustain a more equitable theatre community—both in his city and across the country.
