Seth Rozin says let large theatres do what they do best—be large—and encourage playwrights to cultivate relationships with mid-size and small theatres.
Teresa Fisher, who recently wrote a book on post-show discussions, presents helpful suggestions how to structure and facilitate effective post-show discussions.
Jeni Incontro encourages the theatre industry to change the business model by embracing technology, filming performances, and giving theatregoers the option of watching whenever they’d like.
Marissa Chibas weighs both the positive and negative sides of reestablishing diplomatic ties with the Cuban government, and what it could mean for people in both Cuba and the United States.
Liane Tomasetti’s first post in her series on creating a site-specific theatre project at a historical site in New Jersey, where she considers point of view, integrity, and expectations.
In this installation, David Dudley interviews David Henry Hwang of Columbia University’s MFA Playwriting Program, a program that believes there is more than one way to write a good play.
Teatro del Sol's Mariela en el desierto is a fantastic philosophical meditation on art and women artists obscured by the ambition of their partners, inhibited creativity, truth, beauty, and the sacrifices we make for our loved ones.
Avant-garde performer and director Paul Zimet offers a brief overview of his role in Joseph Chaikin’s Open Theater and his forty-year history with Talking Band.
The Senses to Take the Wall Down—Part 5: Estimation and Taste
17 January 2015
Mikhael Tara Garver explores the difference between taste and estimation, and the responsibility an open-frame theatremaker has to an audience who is unsure what to expect.
