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Recent Essays

This is a repository of written content, sorted by most recent to oldest. Enjoy!

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Essay
9 January 2015

Are you interested in working for HowlRound? We’re hiring a full-time Associate Producer—details about applying within. 

Essay

The Process of Distillation

9 January 2015

Michael “Quess?” Moore explores why he wound up in residence in New Orleans at the DISTILLERY, and what he’s continuing to learn and experience.

Essay

Finding A Narrative In The Noise

8 January 2015

Everyone starts to wonder what they’re creating with Stephen Spotswood on his journey to devise a piece with both environmental studies and theatre majors.

Essay

In Sweet Remembrance at Sweet Briar College

8 January 2015

Geoffrey Kershner, AD of the resident theatre company at Sweet Briar College, considers the complicated intersection of art and our racial history and the responsibility of the artist.

Essay

Is Hate-Tweeting Healthy? What’s the Lesson for Theatre?

7 January 2015

Jonathan Mandell looks at the questions raised by stage-to-screen adaptations, and wonders what theatre can learn from these successes.

Essay
6 January 2015

Three dramaturgs ban together to produce an “Edit-a-Thon,” with the hopes of making Wikipedia's theatre coverage more inclusive.

Essay

Sor Juana in Phoenix, Arizona

6 January 2015

About Productions has been staging plays since 1988 about historical characters like Joan of Arc and Antonin Artaud. Properties of Silence turned into an exciting flight into the depths of Sor Juana’s legacy.

Essay

Why Comedy Is Important, Even in Tragedy

5 January 2015

Cora Swise comments on a recent production of Hamlet that had the audience giggling, and realizes that even in times of sadness, people need laughter.

Essay

The Divine Spark

4 January 2015

Muslim theater artist Hafiz Karmali discusses the 12th-century Persian poem The Conference of the Birds and the overlap of Jewish, Muslim, and Christian performance traditions.

Essay
4 January 2015

President of the Association for Jewish Theatre David Y. Chack contemplates the future of Jewish Theatre since Ari Roth’s dismissal, as well as the need to diverse cultural expressions.

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