Ariel Baker-Gibbs reviews Tribes, and wonders who the play about deaf culture is speaking to: deaf audeinces, or the hearing audiences who are fascinated by them?
Lily Janiak reviews Buried Child at the Magic Theater, and writes about the ways in which living in a world where the nuclear family has imploded sets new stakes for this play about familiar dysfunction.
Navigating the Gray Areas of a Love or Money Industry; Part Three: All you Need is Love
10 November 2013
The key to successful “amateur” theatre is communication. Danielle Rosvally reminds us that outsiders need transparent frame works so the relationship with the company be a success.
