Playwright Zoe Kamil discusses the actual training of student playwrights and shares the insight of several undergraduate playwrights from programs in the US.
Josh Platt reflects on Boston-based director Summer Williams’ interpretation of Bootycandy by Robert O’Hara, in light of her recent direction of An Octoroon by Branden Jacobs-Jenkins.
In this installment, Ricky Young-Howze discusses the difference between a flameout and burnout, and shares his experience dealing with both in his former company.
Jeanmarie Higgins, Professor of Dramaturgy at UNC Charlotte, presents strategies for decentralizing and distributing the dramaturg's role among groups of students and faculty who collaborate on a variety of research-driven tasks.