Recent Essays

Theatremaker Drew Paryzer discusses the creative potential of interactive art and the impact that the “playability” of a show can have on audiences.

Ekemini Ekpo applies W.E.B. Dubois’ concept of “double consciousness” to the experience of performing Blackness for a predominantly white audience that may or may not be interested in disturbing the primacy of their own lived experience.

Michelle Haner interviews Moïse Touré, artistic director of Les Inachevés, about the company’s ongoing project on the theme of hospitality and the decision to reframe the company’s work as a laboratory.

As a part of their permanent closure, San Francisco-based theatre company foolsFURY embarked upon an ambitious oral history project. Emily Weak, the archivist employed for that project, shares the process and insights of an initiative that worked to collect dozens of individual experiences of the company and provide a sense of closure.

Trevor Boffone reflects on the 2022 Latinx Theatre Commons (LTC) Comedy Carnaval that convened at Su Teatro in Denver, Colorado, which was comprised of productions, readings, panels, and special sessions that showcased the depth and range of Latinx comedy in theatre.

Lauren E. Turner, producing artistic director of No Dream Deferred, sits down with Amelia Parenteau to discuss their recent experiences in anti-racist facilitation work through No Dream Deferred’s service, Equity and Justice for Institutional Change.

Amelia Acosta Powell describes the creation and intention behind Comedy Carnaval, an LTC event that invites Latine theatremakers to laugh in the face of oppression.

Tatiana Hernandez-Mitchell, a podcast consultant for HowlRound, offers a guide to the technical side of producing podcasts. This guide focuses on equipment, software, and best practices.

Educator and writer Marci McMahon reflects on her experience seeing Virginia Grise’s movement manifesto Your Healing is Killing Me at Cara Mía Theatre Co.

Gathering Ground Theatre—an Austin, Texas collective comprised of people with lived experiences of homelessness and allies—creates performances that aim to influence public opinion and local legislation. Anna Rogelio Joaquin sits down with Lisa Hoelscher to discuss Lisa’s experience as a co-creator and performer of works that expose issues like hostile architecture and camping bans, as well as the company’s current work on a memorial performance.