Recent Essays

Alex Ates honors his mentor, the late director Maureen Shea, by sharing learnings from his time with her.

The 2022 national tour of Oklahoma! brought Daniel Fish’s critically acclaimed revival to commercial theatre audiences nationwide. Those audiences met the production with overwhelming disapproval and animosity rooted in its departures from decades-old conventions. Actor Christopher Bannow, who played Jud in the touring production, details his experience of enduring audience rejection while remaining committed to engaging audiences in challenging conversations through risky theatrical choices.

Hari Somaskantha and Gitanjali exchange letters discussing their work with Teardrop Collective, a Toronto-based group that centers stories of queer, trans, Deaf, and hearing people of Tamil, Sri Lankan, and South Asian descent.

Morgan Davis and Jules Vodarek Hunter discuss the process of creating Fat Fables, a theatre program for fat LGBT2SQ+ artists who are twenty-nine and under.

Julia Hune-Brown and Keira Loughran discuss crafting Then Is Now, a concept album/video playlist they created through conversations with Chinese Canadian women who grew up in Toronto’s Chinatown during the era of the Chinese Exclusion Act.

Artist, facilitator, and cultural innovator Nikki Shaffeeullah kicks off this series by sharing her journey to creating Undercurrent Creations, a Toronto-based arts organization, and Parallel Tracks, a gathering of BIPOC artists that offers training in visioning, producing, and facilitating community arts projects.

Theatre artist and educator Katie Butler discusses the need to recalibrate movement practice toward accessibility and body autonomy, and shares her own experience navigating changes in her body’s abilities.