Recent Essays

Multidisciplinary artist Ash Marinaccio sits down with the co-founder and artistic director of ASHTAR Theatre Iman Aoun to discuss this year’s ASHTAR International Youth Festival in Palestine.

Writer and translator Livian Yeh examines the complexities of Asian identity within American theatre and gives her take on what it means to be a “third-culture” theatremaker.

Melissa Lin Sturges shares her experience attending Olney Theatre Center’s bilingual production of The Music Man, which was presented in both English and American Sign Language.

Ann James interviews Cha Ramos about her approach to intimacy direction, which pulls from Cha’s multidisciplinary theatrical career, her Cuban American upbringing, and—perhaps most crucially—her intentional rediscovery of spirituality as an essential part of artistic practice.

Ann James talks to Adi Cabral about Cabral’s path though the intimacy industry. As a practitioner and professor, Cabral approaches intimacy choreography by centering harm prevention while working to create opportunities for students to identify and grow within their boundaries.

Ann James chats with Jyreika Guest, who works as both an intimacy specialist and an actor, about framing intimacy work for actors. Jyreika shares her hopes for a future in which consent is an automatic part of rehearsal processes.

Ann James sits down with intimacy choreographer Raja Benz to discuss her experience implementing cultures of consent in rehearsal rooms, cultivating a localized approach to intimacy work, and centering trans perspectives in theatrical processes.

Ann James interviews Brooke Haney, creator of The Actor’s Warm Down, about closure practices in intimacy practice, when to pass work to someone else, and the need to represent queer stories through an authentically queer lens.

Ann James chats with Rocio Mendez about her work as an intimacy director, connections between intimacy choreography and fight direction, and getting excited about theatre’s fieldwide trend toward including intimacy specialists in production teams.