verity healey, who spent time in Kosovo for its Theatre Showcase last October, discusses the precarious nature of Kosovo’s independent theatre sector and shares her thoughts about the plays she saw while visiting.

Claire K. Redfield shares why it’s important for theatremakers to create trauma-responsive rehearsal spaces and offers four Rs—realizing, recognizing, responding, and resisting—as a way to approach the process.

Sophia Skiles, the incoming head of acting for the Brown/Trinity MFA program, and Nicole Brewer, who recently joined the acting faculty at the Yale School of Drama, dive deep into a conversation about what it means to be a woman of color in leadership.

In the last conversation of the Performing the Internet series, curator Kate Bergstrom sits down with three members of the Detroit-based artist-activist collective Complex Movements—Sage Crump, ill weaver, Wes Taylor—to talk about intentional engagement in a virtual world.

In this article for the Performing the Internet series, Miller Puckette and Onyx Ashanti get together for a conversation about the changing landscape of multimedia technology in the arts, how technologically mediated performance practices have taken on new relevance in the post-COVID era, and more.

As part of the Performing the Internet series, Martim Galvão and Todd Anderson have a conversation about the unconscious “performance” and emotional journey of web browsing, internet mixtapes, building websites for performance, and more.

Anchuli Felicia King and Adam Cooper-Terán talk about how the object of the internet functions in their creative work, the ethics of the internet, digital apocalypse art, and more.

Kate Bergstrom introduces the Performing the Internet series, which asks big questions, such as: Can unpacking the internet be a bellwether for how we all can unpack and restructure our society and our organizations? Can we reconceptualize our relationship to the internet by dismantling, questioning, and addressing it in our creative work?

Vijay Mathew asks, and then offers ideas to approach, the question: "How will the performing arts field contribute to climate justice during the sixth mass extinction?"

Elsa Hiltner examines the value of pay equity in the theatre through a fresh lens: how it benefits companies.