Andrea Kovich talks about the glaring need for more disabled theatremakers, the importance of new plays and musicals, and working with a disabled dramaturg during a new work’s development.

Talleri A. McRae and Mickey Rowe, co-founders of the National Disability Theatre, introduce their series “The Future of Theatre is Accessible,” talk about some key takeaways from the upcoming articles, and discuss how language is a barrier to inclusion.

Amelia Parenteau, along with theatremakers Eva Doumbia and Marie Houdin, explores the similarities and differences of parades and protests.

D.R. Baker examines some of the realities of artists working in the American theatre and explores how empathy can be harnessed to make the industry a more positive place to work.

Pamela López and Andrés Kalawski talk about the research they have done around theatre programmers in Chile.

Herbert Siguenza, co-founder of the Latino performance troupe Culture Clash, talks about his unconventional writing path, his time working with the collective, and finding his unique voice.

The Latinx Theatre Commons (LTC) announces the publication of Encuentro: Latinx Performance for the New American Theater, a new anthology of Latinx plays and performances that emerged from the Encuentro 2014 National Latina/o Festival.

Farai Mabeza offers an overview of theatre in Zimbabwe, from the major theatre in the capital city, to smaller community theatres, to the country’s festivals.

Alix Rosenfeld talks about the difference between inclusion and belonging when it comes to working with the disability community, using the Philadelphia-based FringeArts production of A Fierce Kind of Love as an example.

Sydney Isabelle Mayer discusses the importance of terminology when it comes to “trigger” warnings, how artists can best offer warnings for their shows, and what it means to create a responsible theatremaking process.