Kristin Idaszak and Kristen Osborn invite you to pay tribute to the work you have lost due to the recent theatre closures.

Join us in welcoming Shannon, our new Communications Manager!

Alex Ates speaks with Whit MacLaughlin—the experimental theatremaker who ventured into the online realm before it became our norm—about the intersection between digital technology and live performance and pedagogy.

Michelle Hensley and Abe Rybeck—former founders and artistic directors of Minneapolis’s Ten Thousand Things and Boston’s the Theater Offensive, respectively—discuss their leadership transition, including knowing when to step back, succession planning, fears of leaving, and more.

AJ Schwartz responds to Will Wilhelm’s recent HowlRound piece about trans inclusivity in theatre casting, arguing that, while that’s important, theatre companies have to go a lot further.

Tracy C. Davis talks to instructors at Northwestern University about how they are preparing to teach acting and dance—quintessentially embodied forms dependent on human-to-human observation and whole-body involvement—online.

Ann C. James reflects on the quickly growing field of intimacy direction, arguing that it is vital for the leadership to include people of color so that stories centering on racialized sexual trauma and non-white romantic intimacy can be told in the most truthful ways.

In this virtual keynote, Todd London reflects on the nature of new work and the social cooperation inherent to making theatre.

Barbara Fuchs and Rafael Jaime argue that beyond the English-language theatrical canon lies a rich corpus of classical work that remains remarkably hospitable to women, focusing their discussion on two playwrights: Ana Caro and Sor Juana Inés de la Cruz.

The HowlRound team shares a primer on livestreaming, in the hopes that people will consider using HowlRound TV as an alternative or enhancement to in-person gatherings.