Mischeck Mzumara looks at the fearful realities of political involvement in Malawian theatre throughout history.

Vijay Mathew discusses how the HowlRound team has worked, and continues to work, to make HowlRound.com an accessible platform.

Alice Stevenson shares some of the most successful initiatives of the Broadway Green Alliance, an organization that leads the charge when it comes to advocating for more sustainable practices in theatre.

Carolyn Reeves looks at multiple barriers to climate change engagement and addresses how the performing arts—and especially theatre—can help overcome them.

Erin B. Mee examines how using the Sanskrit aesthetic theory of rasa—rather than the aesthetic theory of catharsis—is a necessary step when it comes to creating sustainable theatre.

Lucy Latham talks about the work London-based organization Julie’s Bicycle is doing in encouraging the creative community to act on climate change and environmental sustainability.

Chantal Bilodeau examines data from the Climate Change Theatre Action initiative, which she runs, to better understand how racial and gender bias plays out in the theatre world.

Goran Tomka looks at how arts and culture organizations can best engage with their communities.

Kim Peter Kovac looks at the way the theatre for young audiences field has changed over the last few years, where it’s at today, and what his hopes are for the future.

Jamie Potter from Middle Child Theatre discusses how their New Critics' Programme is helping grow and diversify theatre criticism in the UK.