Recent Essays

As part of the Black and Indigenous Futures series, Amber Starks and Kyle Mays discuss the siloing of Afro-Indigenous identity, the opportunities and challenges of developing Black and Indigenous solidarity, and the potential to build a future more deeply rooted in kinship.

David Howse and Ronee Penoi, co-leaders of ArtsEmerson, introduce the Black and Indigenous Futures Series with an essay that discusses their commitment to a shared leadership approach that foregrounds solidarity between Black and Indigenous communities.

We are thrilled to welcome Munroe Shearer, the new HowlRound Fellow!

Keelin Sanz discusses the development of WOMI, which she created to explore the healing capacity of art. By rooting WOMI in the work of choreographer Anna Halprin and memoirist Sarah Ramey, Sanz crafted a performance that worked to a mend the relationship between body and sense of self for those with chronic illnesses.

Join us in welcoming Taylor Leigh Lamb, our new Content Editor!

After directing Larissa FastHorse’s The Thanksgiving Play at her midwestern college, Indigenous theatremaker Sierra Rosetta traveled to New York to see the same play on Broadway. She discusses the way this milestone production—which made FastHorse the first known Native American woman playwright on Broadway—and her own work push for a future in which Native theatremakers’ presence on professional stages is standard, not novel.