Andrea Kovich argues that inclusive design can be used to change organizations and the work being produced, leading to a more inclusive and equitable theatre field.

Marta Keil and Grzegorz Reske share letters from the past and the future, from June 2020 to June 2029, detailing the changes to the theatrical landscape in their hometown of Warsaw, Poland.

Daniel Alexander Jones shares his prayer of late for whatever is next in “theatre.”

Deborah Cullinan reflects on the path that enabled us to arrive in a future of shared resources and collective power.

Manuel Muñoz reflects on Virginia Grise’s adaptation of Their Dogs Came with Them, which took place in fall 2019 under the colossal concrete freeway ramps of the I-10 freeway that dissect South Tucson from the edge of the Sonoran Desert.

Cortland Nesley argues that Neurodivergent and Mad writers should be leading the charge in shaping Neurodivergent and Mad narratives.

Arianna Gass and Daniel Park share their experience restructuring their company into a worker cooperative and what benefits this model offers.

Robert Barry Fleming, executive artistic director of Actors Theatre, and Courtney Sale, artistic director of Merrimack Repertory Theatre, converse about structural racism and systems of oppression, what can be learned from theatre for young audiences, the possibilities in a post-COVID world, and more.

Ann James discusses the problem with white institutions relying on BIPOC staff to “fix” their issues, shares a radical way for white-led organizations to find healing, and offers a starter list of actions for the “newly minted” abolitionist.